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Daniel Ceccaldi

Daniel Ceccaldi

3 Films

Daniel Ceccaldi

3 Included Films

Daniel Ceccaldi photo

Daniel Ceccaldi (July 25, 1927 – March 27, 2003) was a French actor. He was born in Meaux, Seine-et-Marne, France. The mild-mannered Daniel Ceccaldi is famous as Claude Jade's father Lucien Darbon in François Truffaut's movies Stolen Kisses and Bed & Board.Note: Christine refers to him twice as "Lucien", not papa, indicating perhaps that he is not her biological father, echoing Truffaut's own experience. The American critics Bob Wade wrote about Ceccaldi in 'Stolen Kisses': "Claude Jade's parents are memorably played by Daniel Ceccaldi and Claire Duhamel. Ceccaldi’s role may represent the most pleasant and neurosis-free father in any movie of the era. He overflows with Dickensian warmth and geniality." Description above from the Wikipedia article Daniel Ceccaldi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The Grand Manoeuvre poster
1080p Blu-ray
Best Video:

Japan and France has 4k restoration in Blu-ray, but neither has EN subs

Video:

Japan and France has 4k restoration in Blu-ray, but neither has EN subs

Stolen Kisses poster
UHD Blu-ray
Best English-Friendly:

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video:

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master (yellow hues).

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

English-Friendly:

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Video:

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master (yellow hues).

See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821

"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

Bed and Board poster
UHD Blu-ray
Best English-Friendly:

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video:

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 "Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

English-Friendly:

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Video:

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 "Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

3 films

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